Artist Talks: Carlos Ferguson & Peter Feldstein

I found myself laughing out loud all this week when I recalled how Charlotte, our seven month old granddaughter, would squeal as loudly as she could, until she turned red in the face, to see how excited we would be by her antics.

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Blowing on dandelions with Charlotte at Squaw Creek Park

Other than play with Charlotte, I think that one of the most enjoyable things that I have done of late has been to host the artists’ talks here at the gallery. Last Thursday night, Carlos Ferguson showed us how he made boxes with “little worlds” inside them. The worlds can be viewed through lenses placed on either side of the box, after pulling each box to eye level from a counter-weight system suspended from the ceiling. The boxes are magical. Seldom have I seen people look at art with such a sense of delight.

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Carlos Ferguson speaking about his little worlds at Campbell Steele

And Peter Feldstein talked about shooting at least two photographs each of all the residents of Oxford, Iowa- twenty years apart. The Oxford Project, the book that he produced with Stephen Bloom, marries photographs with text that absolutely and unsentimentally portrays the humanity of each individual, and penetrates to the core of life’s experience- anywhere.

Carlos’ and Peter’s works remain at the gallery, and I hope that you’ll stop to see them. Our next artists’ talk is June 10 and features Marcia Wegman and Gordon Kellenberger.

18th Annual Marion Arts Festival!

It was over eighteen years ago now that Craig sat with the Marion Small Business Committee and suggested that the creation of a high quality, juried, fine art fair might be a great tool for generating a bit of a buzz about our town. We have had several great directors who never wavered from that initial commitment to quality. Marion continues to host a show marked by the excellence of the work shown and sold. Great work and good prices have garnered a much deserved, enthusiastic audience for the Marion Arts Festival.

None of this could have been achieved without some truly fearless, visionary leadership. Victoria Quinn-Stephens invented the wheel in the creation of the First Annual Marion Arts Festival. And now, as our intrepid director, Deb Bailey, brings the 18th Annual Marion Arts Festival to the historic Marion Uptown District’s City Park, come and join the fun, see and buy some art. Finally, if you’re across the street in the park, come across the street to the gallery. Wander through the wonderful shops around Marion’s prosaic town square. All of Marion’s uptown folks are proud to open their doors to the excitement of this singular event. In this instance, it has never been truer: ”It takes a village”!

Spring ephemerals

…”springtime ephemeral –simply meaning it disappears back underground after its early display…”

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Violet

“These will be so great for a Mother’s Day post!” Maggie crowed after I sent her my first drawings of some spring ephemerals that we hope to use for a collaborative project. In short, I’ve done the drawings and the plan is that Maggie (and Charlotte) will produce letterpress cards from them.

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I was genuinely excited to get to these drawings after finishing a commission that had dominated my time. (I’m not complaining.) First, the “spring ephemerals”–those most delicate and stalwart of flowers that are the first to show their faces in the woods—were just about to be past their brief, blooming peak. Second, few things delight me more than to find these harbingers of the change from Iowa’s punishing winters to glorious spring.

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Dutchman’s Britches

I did many drawings. The Dutchmen’s Britches were the most problematic, and caused me to conclude that it was best to render of each plant only as much as you might furtively pinch off in a woods that is not your own.

Oh, and Mother’s Day is BEFORE the Marion Arts Festival. Our jewelry, pottery and glass make particularly wonderful gifts that no other mother but yours can receive!

Orthodontics Through the Ages, or How I Spent My Winter

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Dr. William Olin

I have done a lot of crazy things in a lifetime lived as a “working artist”. Pair that status with a lifetime spent with Craig (easily the most outrageously creative person I have ever known), who seems to have an inexhaustible supply of great ideas, often, (but certainly not always!) executed by all the talented, hard working people with whom he surrounds himself, and you come up with how I spent my winter. And, how I spent my winter accounts for the deafening silence from my blog.

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Hard at work, with Giant – my constant companion – on my lap

I’ll try to make this quick! Since January, my activity has been singularly focused on completing a commission for the orthodontic office of Dr. William Olin, the man responsible for the beautifully straight teeth of two of Craig’s and my three children. (Praise be to God that Maggie came WITH straight teeth!)

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The clamped up frame, drying; the frame, assembled; polishing the frame up with steel wool

As it happens, Craig had conceived the idea that, in addition to the art that Dr. Olin had installed in his remodeled office, he needed a mirror in which his patients might check their teeth while coming and going from their regular orthodontic appointments- and not just any mirror. Craig made an elegantly crafted walnut frame for a large, beveled-glass mirror. Surrounding the mirror he created twenty small, framed openings. In these openings are now twenty paintings that whimsically portray how tension exerted in a variety of ingenious ways on a variety of subjects’ teeth, in a Rube Goldbergian fashion, will straighten said teeth.

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Hard at work on one of the 20 panels

I never thought I would ever do anything like this, and now, well, I’ve done it! This weekend we’ll be installing the paintings in the frame, and then, away it goes! So, if you’re at all curious about the enforced silence from my blog, perhaps you’d like to stop by and see a mirror worthy (I hope!) of the unexcelled talents of Dr. William Olin.

Ladislav Hanka & Stan Fellows

Though there’s a light, fresh blanket of snow, water is running in the streams. There are frequent snippets of bird song as Buddy and I run along the creek each morning. And, that’s the sun sending shafts of light through the bare trees- just a bit earlier each day. There’s nothing like an Iowa winter to spark an attentive interest in the subtlest encroachments of spring. Intimations of seasonal changes are perfect subjects to accompany this post about the work of Stan Fellows and another new artist at the gallery.

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Chickadee / Stan Fellows / 9″ x 12″

Stan can paint anything, and his facile handling of watercolors lends to the birds that he often depicts a life-like immediacy that has won those pieces an enthusiastic following. In an artist’s talk that we’ll be hosting on Thursday, March 4, Stan will discuss his work and paint right there while we’re talking!

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In the “It’s a small world” category: Marvin Bolotsky, a New Yorker and former photographer for the United Nations, provides to me an exquisite array of etchings by Eastern European artists. A connoisseur of intaglio prints, Marvin got into a conversation with an artist at a print show, who was showing some beautifully developed etchings of birds and trees. He encouraged Ladislav Hanka to “get in touch with Priscilla Steele in Marion, IA.” At that point in their exchange, Ladislav responded that he had been raised in said Marion, IA, after his parents emigrated from Czechoslovakia in the 1950’s. Adding that he “has fond childhood memories of his Iowa upbringing”, Ladislav described how his parents found work in Cedar Rapids’ Czech community.

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Nesting White Throated Sparrow / Ladislav Hanka / Intaglio Etching

We exchanged e-mails in which images and exclamations about curious coincidences overshadowing our artistic experience flew back and forth. And, this past week, a generous selection of Hanka’s etchings arrived. His delicately drawn, but bold compositions combine evidence of the action of the acid on a metal plate in tandem with sensitively observed subjects from nature. I thank Marvin for dropping this former Iowan back into his hometown, and hope that you’ll stop by to see Ladislav’s marvelous intaglio work.

Galen Lacey

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In the wake of the momentous floods of 2008, I found myself without a framer. The Art Cellar, which had so capably put up with the specificity of my idiosyncratic framing needs for over twenty years, had been, along with the rest of downtown Cedar Rapids, inundated by 8 feet of the teeming waters of the Cedar River. During that surreal time, Galen Lacey and his ebullient spirits came to my archival, preservation rescue.

Though Galen was a relative newcomer to the Mount Vernon community, his unfailingly gregarious manner had quickly insinuated him into the broad circle of varied cultural and social activities that distinguish that delightful Iowa town. His framing studio drew artists and customers alike, seeking the witty conversation that accompanied his impeccable professional services. And, over the course of a short summer, I came to depend on his discerning eye and good taste.

On the morning of October 3, 2008, Galen suffered a devastating heart attack. From that moment, the community of Mount Vernon rallied to this favorite son’s aid. An e-mail network coordinated by the indefatigable Katrina Garner, updated all of Galen’s friends of his condition. Galen’s sister, Julianne Gregory and her husband, Sid, essentially put their own busy lives on hold, to attend to Galen’s crisis and recovery. Artists, neighbors- all friends- performed innumerable large and small tasks as Galen survived the attack that destroyed his heart and the subsequent transplant that miraculously restored him to the prospect of a rich life to be taken up once again.

It was a bitter disappointment then, when Galen’s recovery became clouded by incessant complications and repeated hospitalizations. Throughout it all, Galen’s community- the people of Mount Vernon, Julianne and Sid, and many artists in farther-flung environs (I count myself among them) never wavered in their support. During a chat when he could first have visitors, Galen spoke of the blessing of his survival, if only to realize how genuinely people cared for him. The profundity of this realization and the prospect of eventual vitality sustained Galen for a year and a half.

This past Saturday evening, Galen succumbed to the exhausting conditions of a body that could not heal. It’s a cruel loss for all who felt him to be a kindred spirit. For all of these people, however, the true comfort is in the fact that Galen, after a lifetime of moving around, and many self-described, unsatisfying jobs, had found a home and work that he loved. I’m going to miss him.

“Happy Christmas to all, and to all a good night!”

I haven’t spent a part of these last two Sundays of the advent season within a church. Rather, I have begun them, as I begin most days, with a run with Buddy. The snows of December, however, have made me amend our routes, so on both Sundays, Buddy and I were jogging past snow-covered hills deemed perfect for sledding.

There are few things more vivid in memories of my childhood than that giddy rush of fear and exhilaration elicited by speeding down a snow-packed slope on a sled. So, it was a joy of remembrance that flooded my heart as the happy whoops of whole families rose above the snow in the early morning quiet of the Iowa winter. Visions of my father’s robust strides through drifts of snow as my brothers and I trudged with him to a preferred sledding site over fifty years ago came readily to mind. We would stay out sledding until dark or until our feet were just too cold to continue.

These memories were further stirred by the small gems of pastel drawings that Sharon Burns Knutson delivered to me just a couple of days ago. Musing that she loved them for the brilliance of the blue of the skies, Sharon pulled out one small drawing of snow-laden trees and countryside after another, and covetously, I looked to see which I would claim for my own before I would hang them in the gallery.

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They’re just little pieces. You might miss them if you’re focused on just finishing your Christmas shopping list. So remember, part of this season, surely, must be about seeing the small items that evoke the magical power of memory in each of us.

“And I heard him exclaim ‘ere he drove out of sight, ‘Happy Christmas to all, and to all a good night!’ “

“You can tell a lady by her handkerchief.”

“Remembrance, like a candle, burns brightest at Christmas.” Charles Dickens

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My grandmother, Gertrude Gill

My grandmother discovered just how important working outside the home was when my grandfather retired from a successful career in construction engineering. He established a studio in the front bedroom of their Philadelphia duplex and painted with a devotion that filled all the homes of our family (Think cousins, siblings, far-flung aunts and uncles) with the landscapes he loved of the towns of Pennsylvania and Maryland.

Quite decidedly, my grandmother felt that his unaccustomed in-house presence had to be met with action, and at the age of 68 she took a job as a sales clerk at the Lord and Taylor department store on “City Line” in the city. For the next 15 years, she was the doyenne of the “Handkerchief and Scarf” department. Though I remember the quote, I also remember thinking as a ten-year-old that her belief that “You can tell a lady by her handkerchief.” was a remnant of etiquette unique to her generation. Be that as it may, she presided over that sales counter with an unrivaled authority and unparalleled enthusiasm. Settling herself into the car on a Christmas Eve when my brother and I picked her up from her duties to take her to our family’s house in New Jersey, she described her pleasure in ministering to and selling the colorful stacks of finely woven scarves and handkerchieves.

Standing in the predawn darkness of the gallery on a December morning, I can’t help recalling her. There’s much to do with the proliferation of new inventory from potters, glass-blowers and jewelers, but the work is genuinely gratifying. Unpacking boxes, showing and selling fine pieces to people who share my admiration for the quality of the work is a mainstay in the excitement of the Yuletide season.

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Bowls by Marck Nystrom

Right now, I must finish the display of some wonderfully substantial stoneware by Boone artist Marck Nystrom. Pen Andrishok from West Branch, Iowa has provided the gallery with a succession of marvelously crafted pins, cuffs and earrings. Janet Johnson has dropped off a beautiful new stack of scarves and Wisconsin glass blowers, Thomas and Rebecca Maras, have filled the entwined willow branches of our gallery tree with their ornaments.

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Scarves by Janet Johnson

Hope you’ll visit soon!

Aaron Sinift + Holiday hours

With my own nose pressed firmly to the glass of a miniscule window on “the holiday retail season”, an old friend reminded me of a larger world spinning beyond the spheres of American consumerism.

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At the turn of the millennium, Iowa City artist, Aaron Sinift, traveled to India. His work was forever changed by that experience. No longer an Iowa City artist, the focus of this New Yorker’s work is an ingenious local/global project. Citing Mahatma Ghandi’s fundamental belief in the necessity of self-sufficiency for each individual, Sinift is using the homespun, Indian cotton cloth, “khadi”, to print an artist book in a fund-raising effort for Doctors Without Borders. The book is a collaborative work including the imagery of world famous artists, among them, Cedar Rapids’ own, Jane Gilmor, and Yoko Ono. Please take a moment to view Aaron’s “fiveyearplan” and do what you can to help. You can also learn more about Sinift’s plan here at the gallery.

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In my last post, I alluded to “civilized and convenient” hours for the holidays. We’re open on Tuesdays, Wednesdays, and Fridays from 10 – 6, Thursdays from 10 – 9, Saturdays 10-10 (except 12/12 and 12/19 when we’ll be open 10-5), and Sundays from 1 – 4. As always, we love gift wrapping your choices from the gallery, and we’re happy to make all arrangements for any necessary shipping! Come see us!

Bittersweet

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Aunt Iva

Craig’s Aunt Iva went to her grave without divulging where she found the bittersweet that she decorated her home with every fall. I love bittersweet as well. An invasive, parasitic, and noxious vine which is strangling trees in the Northeast, bittersweet is somewhat rare around here. And, in large measure, its odious qualities are forgiven for the prosaic beauty of its compact, orange fruits that, like pumpkins, are the very essence of fall.

My dog and I lately found ourselves standing in a briar-patch, under a dead tree, both of us covered with burrs, looking up at branches laden with vines of bittersweet. I was wondering how fool-hardy it would be to attempt the 15 foot climb to harvest said vines. Deciding that it would indeed be silly- even for me, I contented myself with some waist-high rose hips whose thorns drove me to profanity as I snipped their twigs into a bag.

Buddy and I made our eventual way out of the briar patch. We both looked quite worse for wear. Along with the burrs that covered us, I was bleeding and bruised. As we rounded a bend in the foot-path, we were confronted by a huge, decaying tree trunk, bathed in the sun’s light and draped in the most abundant growth of bittersweet that I had ever seen.

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The bounty of this hapless walk has been wound around a potted pine which I promised my fellow merchants I would decorate. It’s one of many that were donated for ornamenting our uptown square during the 2009 holiday season. That retailing imperatives dictate such readiness for Christmas customers at increasingly earlier dates is irksome, but I’ve found a little bittersweet can delightfully preserve fall’s dominion- at least till Thanksgiving.

We are planning some incredibly civilized and convenient holiday hours. More about that soon!